C O N F E R E N C E S

 

 

 

APRIL 2, 2011

UCLA CONFERENCE
ON ARMENIAN GENOCIDE ORAL HISTORY COLLECTIONS


Publications, Performance, and the Visual Arts," includes demonstrations & visual presentations by Carla Garapedian
Jerry Papazian (Armenian Film Foundation); Donald and Lorna Touryan Miller (USC); Ara Oshagan (Photography, Los Angeles);
Bianca Bagatourian (Armenian Dramatic Arts Alliance).

For more info:

http://oralhistory.library.ucla.edu/conference.html



March 4-5, 2011



No Passport Conference
NUYORICAN POETS CAFE, NYC


DREAMING THE AMERICAS: GLOBAL CHANGE IN PERFORMANCE

ERIK EHN
(Head of Playwriting, Brown University)

MAC WELLMAN
(Donald I. Fine Professor of Play Writing, Brooklyn College)

MARCUS GARDLEY
(University of Massachusetts, Amherst)

in conversation with
BIANCA BAGATOURIAN


Genocide & Political Atrocity in Theater

nope2011coll

Click to Listen



NoPassport and Nuyorican Poets Cafe present a two-day conference with the support of Cynthia Cohen, The Armenian Dramatic Arts Alliance, Fulana, Idiom,
The Internationalists,INTAR, HotInk @ the Lark, Fulana, Rock Wilk, The Secret City, and the Sundance Institute Theatre Program, and in partnership with
Reclaim Productions UK. NoPassport is a sponsored project of Fractured Atlas

 



March , 2010

Brown University

Arts in the One World Conference
Brown University

Political Atrocity & Theater

Marcy Arlin, Stacie Chaiken, Lenora Champagne, Cynthia Croot, Christine Evans,
Stephanie Fleischmann, Ed Mast, Meghan Monahan, Dawn Saito
Moderated by Bianca Bagatourian




February 26, 2010


No Passport Conference
NUYORICAN POETS CAFE, NYC

DREAMING THE AMERICAS: UTOPIA IN PERFORMANCE
"APPLIED THEATRE: GENOCIDE DRAMA IN COMMUNITY"


Panel: Marcy Arlin, Stacie Chaiken, Erik Ehn, Christine Evans, Catherine Filloux, J.T. Rogers, Kelly Stuart,
Moderated by Bianca Bagatourian & Megan Moneghan

NoPassport and Nuyorican Poets Cafe present a two-day conference with the support of The Armenian Dramatic Arts Alliance, The Internationalists,
50/50 in 2020, Conni's Avant-Garde Restaurant, and New Dramatists. Initiated and Curated by Caridad Svich. Co-curated by Daniel Banks & Daniel Gallant


April 30th , 2009


New York Theatre Workshop
79 East Fourth Street, New York, NY 10003

Genocide Drama
The Conversation Continues ...


Panel Discussion Moderated by human rights attorney, Jayne E. Fleming
As part of Genocide Prevention Month, the panel will discuss the relationship between depicting Genocide in drama.


Bianca Bagatourian
Catherine Filloux
Kelly Stuart


February 14, 2009


No Passport Conference
@ THE GRADUATE CENTER THE CITY UNIVERSITY OF NEW YORK


Legacy & Revolution in Performance
Genocide Drama

Playwrights Kelly Stuart, Stacie Chaiken, J. T. Rogers, Moderator Bianca Bagatourian, Marcy Arlin, Catherine Filloux, Alex Dinelaris


 

May 2-3 , 2008

Museum of Fine Art, Boston

Armenian Filmmaker's Panel

Michael Goorjian, Carla Garapedian, Hrag Yedalian,Gor Kirakosian - Moderated by Bianca Bagatourian

Presented by the Armenian Dramatic Arts Alliance


Armenian Filmmaker's Panel, Part 1

Armenian Filmmaker's Panel, Part 2

Armenian Filmmaker's Panel, Part 3

Armenian Filmmaker's Panel, Part 4

Armenian Filmmaker's Panel, Part 5

Armenian Filmmaker's Panel, Part 6

 


 

February 2-3, 2007


No Passport Conference
THE GRADUATE CENTER THE CITY UNIVERSITY OF NEW YORK

Dreaming the Americas
The Invisible Visible

Moderator: Bianca Bagatourian - Panelists: Mac Wellman, Simon Levy, Betty Shamieh, Elana Greenfield, Dan Rothenberg

Click to Read

 

 

FROM THE AUSTIN CHRONICLE:

"NoPassport has recommitted its members to an expansion of "American-ness." At Dreaming the Americas, panels like the Invisible Visible had exhilarating matchups, like Arab-American playwright and actor Betty Shamieh, author of Roar and The Black-Eyed, with Elana Greenfield, a playwright who moved as a child from Israel to Iowa, and Brooklyn College professor Mac Wellman, a white guy from Ohio who writes poetic and political theatre (Terminal Hip) and who has been quoted as saying he got into the theatre "because it was a low, sleazy, discredited art form that had to do with sex and things of the devil." Fun."

 

 

 

 

 

 

 

 

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Copyright © 2011, Bianca Bagatourian